(Photo Credits: Screengrab from The Boys in the Band on Broadway YouTube)
The curtains for The Boys in the Band is drawing to a close so we want to take this time to look back at the play written by Mart Crowley in 1968, a year before the Stonewall riots. Some of you recommended its 1970 film version in this article by the way. But for those who haven’t heard of it yet and are curious about it, you may watch the revival for the 50th anniversary of the play on Broadway (you have until Saturday, August 11). You may grab tickets here.
The Boys in the Band follows the story of nine gay men as they celebrate their friend Harold’s 30th birthday at Michael’s NYC apartment and tada, he gets “Cowboy” as one of his birthday presents. As aforementioned, the year was 1968 so we get to see a glimpse of the lives of gay men during this time. The 2018 production stars Matt Bomer (Donald), Zachary Quinto (Harold), Jim Parsons (Michael), Andrew Rannells (Larry), Robin De Jesus (Emory), Brian Hutchison (Alan), Charlie Carver (Cowboy), Michael Benjamin Washington (Bernard), and Tuc Watkins (Hank).
Despite the initial hardships that the original play faced, it is said that it was “nearly impossible to find actors willing to play gay characters,” The Boys in the Band went on to become a success.
According to broadwayworld.com, when the original play ran Off-Broadway, it drew crowds the likes of Jackie Kennedy, Marlene Dietrich, Groucho Marx, and Rudolf Nureyev to name a few. The initial plan of five performances grew to over a thousand and the original cast went on to perform in London and they even made that 1970 film version which was directed by William Friedkin.
The Boys in the Band earned great reviews. It was called a “true theatrical game-changer” because the play, being one of the first works that focuses on gay life, literally and we quote, “helped spark a revolution by putting gay men’s lives onstage—unapologetically and without judgement—in a world that was not yet willing to fully accept them.”
The original cast included Kenneth Nelson (Michael), Leonard Frey (Harold), Cliff Gorman (Emory), Laurence Luckinbill (Hank), Frederick Combs (Donald), Keith Prentice (Larry), Robert La Tourneaux (Cowboy Tex), Reuben Greene (Bernard), and Peter White (Alan McCarthy). Reportedly, five of the cast—as well as the play’s director, Robert Moore and producer, Richard Barr—all died during the AIDS crisis. We are therefore ending this article by leaving some of these men’s stories which The AIDS Memorial posted on their Instagram account as a tribute.
Thanks Dave, for ALL that you do: putting out funny blogs, interesting facts, good exemplars, and gentle reminders of what this community once was. I’ve heard of the film and never watched it. Reading those tributes were shocking! Everything before my time seemed so antiquated, and believe me, I recall how little the media shared positive imagery of the LGBT community, or ANY information for that matter. What I do recall in the 1990s was Entertainment Weekly magazine ran a special summer ‘Those We’ve Lost’ edition, and it would be two to three pages of thumbnail photos of actors, directors, writers, and of course the vast majority were extreme talents, being several things on the list, and mostly gay men. It was impactful. Today, I am completely blown away. I never knew these background stories. How BITB opened as a limited five performance release, to swell to over a thousand and a film! I have gone an entire lifetime (my own) and as I read these tributes I am taken aback – I am still younger then all of them in their very short lives, and they appeared in that film before my birth, as men younger than my current self, in a world where OUR kind of love dare not speak its name. 50 years later, they are all gone, the story seems ANCIENT history, and I again am completely blown away to realize that these men, many whom I never heard of, took these roles at a time when there was NO pride, NO community, NO support. Thanks again for the reminders Dave, THIS is why we need to fight to stay VISIBLE
Didn’t like the play then. Like it even less now. I just don’t think it’s a very good play. Too many stereotypes. Being gay doesn’t equal flaming. I remember acquaintances from back then who raved about the dancing in the first act and completely missed the messages in the second.
You write “As aforementioned, the year was 1968 so we get to see a glimpse of the lives of gay men during this time.” As good as the play was when I saw the original in NYC, you know, there are some of us who don’t need to see a play to get a glimpse of what it was like being a gay man in the late 1960s. Just a reminder.
No comments yet? What happened to the gays that like arts and activism? I guess not many of them use this page. Well, I just wanted to comment that I saw this play in Chile and it was performed only by ACTRESSES portraying gay guys, it was crazy to see this beautiful hot women transformed to perfection.
When I was a teenager I lucked out in coming across several older, well-educated men who mentored me as a gay man and I don’t mean sexually. Sure, I fucked them but they taught me how to be OK with being gay. They were in their 60s then. Of the four, three have died and the youngest is 75. It was definitely a different time.
One of the things I got from them was my iron-fisted honesty about how I feel. They hated political correctness and playing nice nice, funny how today “liberated” gays wear a political straight jacket and play nice nice even if they seethe inside. Then if someone has the balls to speak his mind, they have to bully and brow beat.
In some ways it used to be better for gays back then. Now you have to be a political and ideological suck boy. I will stick with how my mentors raised me.
Thanks Dave, for ALL that you do: putting out funny blogs, interesting facts, good exemplars, and gentle reminders of what this community once was.
I’ve heard of the film and never watched it. Reading those tributes were shocking! Everything before my time seemed so antiquated, and believe me, I recall how little the media shared positive imagery of the LGBT community, or ANY information for that matter. What I do recall in the 1990s was Entertainment Weekly magazine ran a special summer ‘Those We’ve Lost’ edition, and it would be two to three pages of thumbnail photos of actors, directors, writers, and of course the vast majority were extreme talents, being several things on the list, and mostly gay men. It was impactful.
Today, I am completely blown away. I never knew these background stories. How BITB opened as a limited five performance release, to swell to over a thousand and a film! I have gone an entire lifetime (my own) and as I read these tributes I am taken aback – I am still younger then all of them in their very short lives, and they appeared in that film before my birth, as men younger than my current self, in a world where OUR kind of love dare not speak its name. 50 years later, they are all gone, the story seems ANCIENT history, and I again am completely blown away to realize that these men, many whom I never heard of, took these roles at a time when there was NO pride, NO community, NO support.
Thanks again for the reminders Dave, THIS is why we need to fight to stay VISIBLE
Didn’t like the play then. Like it even less now. I just don’t think it’s a very good play. Too many stereotypes. Being gay doesn’t equal flaming. I remember acquaintances from back then who raved about the dancing in the first act and completely missed the messages in the second.
You write “As aforementioned, the year was 1968 so we get to see a glimpse of the lives of gay men during this time.” As good as the play was when I saw the original in NYC, you know, there are some of us who don’t need to see a play to get a glimpse of what it was like being a gay man in the late 1960s. Just a reminder.
This is a great undertaking! So great that mainstream US media covered it over 6 months ago.
No comments yet? What happened to the gays that like arts and activism? I guess not many of them use this page. Well, I just wanted to comment that I saw this play in Chile and it was performed only by ACTRESSES portraying gay guys, it was crazy to see this beautiful hot women transformed to perfection.
When I was a teenager I lucked out in coming across several older, well-educated men who mentored me as a gay man and I don’t mean sexually. Sure, I fucked them but they taught me how to be OK with being gay. They were in their 60s then. Of the four, three have died and the youngest is 75. It was definitely a different time.
One of the things I got from them was my iron-fisted honesty about how I feel. They hated political correctness and playing nice nice, funny how today “liberated” gays wear a political straight jacket and play nice nice even if they seethe inside. Then if someone has the balls to speak his mind, they have to bully and brow beat.
In some ways it used to be better for gays back then. Now you have to be a political and ideological suck boy. I will stick with how my mentors raised me.